Project: Immortan Joe's Mask

NYCC 2016: From the Stage

We’re still in the post-convention daze, but I took the evening to edit together some of the footage from the Twitch live stream of the event. I ended up placing second in our category,

NYCC 2016: From the Floor

A lot of totally awesome convention-goers have been taking pictures of our Immortan Joe costume on the floor of the event, and I just wanted to use this post to collect some of the

Anatomy of a Warlord

This costume still requires a significant amount of weathering and wear to be added, but I needed to take a large number of reference images of my own costume for submission into the NYCC 2016

A Grimace in Chrome

And then there’s the mask. Got the plugs for the gas mask hoses painted up and attached, bent a bit of thick-gauge copper wiring up and into the jaw, and I completely revamped the

Cabling on the Mask

I detached the brass hingework for now, but took the opportunity to add the gas mask hose connectors and sub-piping. That sub-piping is actually made of very thick electrical copper wire – couldn’t tell

Jawin’ Around Town

So, Immortan Joe’s mask opens up for added drama and intimidation during one scene in the film. Today’s engineering challenge: Make that damn jaw open and close in a way that is durable and robust.

Molding Immortan’s Mask, Part 2

My mask had some extra-scary work done. I used a scrollsaw to cut an MDF divider for the mask and bolted it together so I could start making the hard mother mold out of

Molding Immortan’s Mask, Part 1

I’m mostly just monkeying around and doing what I see other people do when it comes to making these molds. I hope I understand the process right, but I guess we’ll find out! We

Mask Progress Continues

The gas mask hoses are the childrens’ mask ones that I ordered from eBay, but now I need to find the darker, larger hose that connects to the other end of it. Still, I’m

Expanding on the Printed Mask

In my ongoing efforts to needlessly complicate Maria’s life, I managed to point out a bunch of inconsistencies between the 3D-printed mask I had produced and the actual screen prop. We both realize that

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